© » ARTS EQUATOR
about 29 months ago (12/11/2021)
Podcast 99: The Mother and ________ Can Change | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan / Tuckys Photography December 12, 2021 In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage...
© » ARTS EQUATOR
about 35 months ago (06/22/2021)
Podcast 90: Critics Live: The Year of No Return by The Necessary Stage at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Tuckys Photography June 23, 2021 Singapore critics Clarissa Oon, Lee Shu Yu, Nabilah Said and Naeem Kapadia discuss The Year of No Return by The Necessary Stage, presented at Singapore International Festival of the Arts (SIFA)...
© » ARTS EQUATOR
about 37 months ago (04/14/2021)
Model Citizens: Pursuit of happiness, prosperity and progress | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Tuckys Photography April 14, 2021 By Naive Gascon (1,215 words, 4-minute read) Note: This review contains some spoilers...
© » ARTS EQUATOR
about 57 months ago (09/01/2019)
Podcast 64: The Orange Production 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Gabriel Chia September 1, 2019 Duration: 37 min In this latest podcast, ArtsEquator editor Nabilah Said and theatre reviewer Naeem Kapadia discuss the productions We Were So Hopeful Then (written by Ellison Tan and directed by Alvin Tan) and Acting Mad (with texts by Haresh Sharma, Harris Albar and Maryam Noorhimli and directed by Haresh Sharma), presented as part of The Orange Production 2019 by The Necessary Stage...
© » ARTS EQUATOR
about 57 months ago (08/22/2019)
Crashing realities: "Acting Mad" by The Necessary Stage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Gabriel Chia August 22, 2019 By Nabilah Said (747 words, 5-minute read) Content warning: References to self-harm and sexual assault Someone cried...
© » ARTS EQUATOR
about 60 months ago (05/21/2019)
Reframing Colonialism: “Civilised” by The Necessary Stage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography May 22, 2019 By Naeem Kapadia (954 words, 4-minute read) There has been a slew of works responding to the bicentennial of Singapore’s founding by Sir Stamford Raffles, an event that the authorities have chosen to spend all year celebrating through a series of activities such as guided tours, exhibitions and immersive performances...
© » ARTS EQUATOR
about 63 months ago (02/22/2019)
To V and S in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Foreground: Saloma (Sakinah Dollah), background: Vinod (Abdul Latiff Abdullah) February 22, 2019 By Teo Xiao Ting (1,103 words, five-minute read) Dear Saloma and Vinod, I first met the two of you seven years ago, when I was 16...
© » ARTS EQUATOR
about 63 months ago (02/22/2019)
Pain and Cauterisation in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Saloma (Sakinah Dollah) and Vinod (Abdulatiff Abdullah) February 22, 2019 By Casidhe Ng (1, 543 words, eight-minute read) When the play ends (although it never really ends), Saloma sits on stage, alone, even after the house lights have been turned back on, with a look of uncertainty and shock plastered across her face...